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American Photography (Oxford History of Art) By Miles Orvell

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Review
`The first coherent national treatment of American photography, its scope extends beyond previous histories. Orvell offers convincing justification for American photography in the technological, self-fashioning, realistic and democratic idiosyncrasies of both medium and nation.' Journal of American Studies
`Coverage is remarkably comprehensive ... The research apparatus of the book is excellent ... The prose is clear and engaging and at points compelling ... From his [Orvell's] best chapter on photography and society emerges a voice which is not simply descriptive but urgent.' Journal of American Studies
`consistently readable and frequently stimulating' Burlington Magazine
`A fine introduction, and stimulating to readers already familiar with the riches of American camera work' Professor Mick Gidley, University of Leeds. 01/06/2002
`What a terrific book!...Rich references to literature, history, art, and popular culture make this story come alive.' Mary Panzer, Author of Matthew Brady and the Image of History, and former curator of photographs for the Smithsonian Institution's National Portrait Gallery. 22/07/02
About the Author
Miles Orvell is Professor of English and American Studies, with a broad interest in modern American culture, at Temple University. His other publications include 'The Real Thing: Imitation and Authenticity in American Culture 1880-1940', which was co-winner of the American Studies Association's John Hope Franklin Prize, and his essays and reviews have appeared in many journals, such as American Art and History of Photography. He is also the Senior Editor of the Encyclopedia of American Studies, and is the Director of American Studies program at Temple.
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