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Spike Lee: That's My Story and I'm Sticking to It By Spike Lee, Kaleem Aftab
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- Sales Rank: #1584037 in Books
- Published on: 2005-09-19
- Original language: English
- Number of items: 1
- Dimensions: 1.10" h x 6.54" w x 9.46" l,
- Binding: Hardcover
- 320 pages
From Publishers Weekly
The work of one of America's more important filmmakers is ill-served by this reverential biography. Aftab arranges the narrative around Lee's films, from breakout hit She's Gotta Have It (1986), through such cinematic touchstones as Do the Right Thing (1989) and Malcolm X (1992), ending with the flop She Hate Me (2004). The resulting string-of-boxcars structure is a little disjointed, but it keeps the focus on Lee's often controversial and politically engaged films and delivers a flow of moviemaking anecdotes that give a sense of the director's domineering, manipulative, charismatic personality. Unfortunately, this very authorized biography staggers under the weight of the many lengthy tributes to Lee's genius and his statesmanship as the standard-bearer of African-American cinema. Complaints are sometimes aired about the director and his movies (he does cop to allowing "unreconstructed male chauvinism" to mar his films), but criticisms are quickly shouted down by rebuttals from Lee and a chorus of admiring actors and colleagues. Aftab's poorly organized text often feels like a collection of barely edited interview transcripts, with Lee and his friends' rambling on for paragraphs on end. The outcome is a sluggish, defensive biography of a man who deserves a more incisive treatment. Photos. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Over the course of his career, film director Spike Lee has alienated many groups: Italian Americans, Asian Americans, Jews, lesbians--and, most recently, paying moviegoers. Because of this book's packaging (first-person subtitle, head-on author photo, "as told to" writing credit), fans and foes alike may think they're getting a candid, jointly authored memoir written in Lee's voice. But Spike Lee is actually an oral history in which the director's voice is but one of many. Aftab interviewed scores of family, friends, and filmmaking collaborators, then created a reportorial narrative, organized by film. (The method will be familiar to anyone who's read the companion books to Lee's earlier films.) But if readers are disappointed at not getting more from Lee himself, there's consolation in that what his colleagues and critics say can be more revealing. And although the book has Lee's imprimatur, Aftab is not afraid to take issue with Lee. As might be expected with such a controversial subject, too much time is spent getting sides of arguments, and the writing is somewhat stiff, but this is still an invigorating look back at the work of one of our least predictable, most important filmmakers. As for really getting to know Lee, we'll have to wait until he writes his own story. Keir Graff
Copyright © American Library Association. All rights reserved
Review
“Fresh, judicious.” (Washington Post Book World )
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